Accessoire - Partitions classique BARENREITER SCHUBERT F. - LIEDER VOL.6 - HIGH VOICE Ch par FNAC
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edition no.: ba9106 ismn: 9790006530557 editor: dürr, walther language(s) of work: german language(s) of text: german, english product format: vocal score, anthology, urtext edition includes the following individual parts: high voice, piano binding: cardboard binding pages - format: xlii, 164 seiten - 30,0 x 23,0 cm continuing the new urtext edition of schuberts lieder, editor walther dürr now presents volume 6, for high, medium and low voice. while volumes 1 to 4 of this series contain mostly lieder that schubert had published during his lifetime, volume 5ff. contain the remaining songs which are presented basically chronologically in the order of their deutsch catalogue number. the lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. with nachtgesang (d 119) and trost in tränen (d120) schubert turns to the strophenlied in its stricter sense for the first time. he develops an interest in this form parallel to his first involvement with goethe. schubert, during this period an assistant teacher at his fathers school, orientated himself towards the so-called berliner liederschule, particularly the songs of johann friedrich reichardt. by the beginning of the year 1815 he drew his inspiration mainly from the texts of theodor körner: however he regularly still produced settings for the poetry of goethe and schiller. - based on the urtext of the new schubert edition - newly engraved, clearly presented musical layout - foreword by walther dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (eng-ger) - includes english translations of lieder texts by richard wigmore contents nachtgesang, d 119 trost in tränen, d 120 - ammenlied, d 122 sehnsucht, d 123 - am see, d 124 szene aus faust, d 126 (2nd version) ballade op. 126, d 134 - klage um ali bey, d 496a der mondabend op. post. 131, 1, d 141 genügsamkeit op. post. 109,2, d 143 der sänger op. post. 117, d 149 (2nd version) lodas gespenst, d 150 auf einen kirchhof, d 151 - minona, d 152 als ich sie erröten sah, d 153 - das bild op. post. 165,3, d 155 die erwartung op. post. 116, d 159 (2nd version) don gayseros, d 93 sängers morgenlied, d 163 (1st setting) sängers morgenlied, d 165 (2nd setting) amphiaraos, d 166 gebet während der schlacht, d 171 (1st version) das war ich, d 174 - die sterne, d 176 vergebliche liebe, op. post. 173, 3 - d 177 liebesrausch, d 179 - sehnsucht der liebe, d 180 appendix i szene aus faust, d 126 (1. version) - der sänger, d 149 (1st version) die erwartung, d 159 (1. version) - gebet während der schlacht, d 171 (2nd version) appendix ii (lower transposition only available for high voice) am see, d 124

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